My interests are always weaved in the field of drawing, where I work a lot with the figure of the animal. Being works on environmental issues, I create a critical view of the animal's presence in the drawing, besides seeking to illustrate only animals as far as possible from domestic animals, in order to deny the presence of the human figure and try to highlight these other beings that end up staying on the sidelines, without due highlight and protection that domestic animals possess. My creative process also comes from the encounter between art and biology, where one process contaminates the other, my works always end up reflecting some current environmental issue, whether coming from the newspapers or when I study an animal directly in the field of biology.