The film puts raciality, gender, sexuality, and class at crossroads. The artist revisits her most recent works, such as "the border of the body is the body itself and/or prosthetics" and "KILL THE WHITE INSIDE YOU". The convenience of whiteness to structural oppressions is one of the most outlandish things in society, with even the Human being a category finessed in racism, cis-heterosexuality, and transphobia.