This work is part of the "Série de Apropriações: a inserção do EU em todas as coisas". With this work, the artist discusses the contemporary need for the cult of self-image, on increasingly individual and personalized content as deepfake and depersonalization in the context of social media. It is an artistic journey of the most deserted thirst for the core of BEING something more important than the I. In this sense, the work dialogues directly with the feeling stimulated by social networks and the BEING of art and idols to finally be something. Appropriation of Abaporu, Tarsila do Amaral, 1928.