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Noise is inherent to the condition of human existence, and this implies its history, consolidated by a long narrative from adjustments in sense perception to continuous changes in contemporary life. Also understood as a reflection of culture, more specifically of the divergent or unequal skills and physiological assimilation that perceives it in different ways, its symbolism oscillates between two opposite poles: of power and insecurity, thus noise gains a social and political dimension. GRRLHCNTN (April 2021) is a new work whose interactive visual stage was developed in JavaScript (P5.js) and the audio is a bootleg of live performance using destroyed vinyl records and electronic effects.

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