When the human made himself nucleal, he rejected evolution and drove it into inhumanity. Disengaged from deep time, he remained idealistically excepted from a continuous process. Although acceleration is >0 and 'velocity' describes the era, in its compulsory duality, paradoxically body suggests an end. A sediment exempted from imminence. Is there greatness in this vision of life? >0 (2020) adheres to the logic of interface cinema as well as the web-site-as-artwork marked at the beginning of Internet Art. Its production was based on the appropriation of digital archives of stereolithographic body models, later animated and transformed into geological sediments.