This is one work in a series of appropriations of iconic works of art history. The insertion of Lucas Almajíd's EU in revolutionary productions through technology, reveals the deserted thirst for a personalized and individual universe, such as social media. Contemporary desire is increasingly tied to search filters, algorithms, and " tailor-made". "I am Tarsila's ass" composes the artist's project in the process of inserting his identity in all possible things, in the same way, that social networks stimulate through filters, behavior patterns, deepfake, among others. The digital manipulations are made in Adobe Photoshop and use photography as raw material.