Media art artist, digital art curator and art director who lives and works in Curitiba, Brazil. Flávio Carvalho studied a specialization in Interdisciplinary Arts and Arts Teaching at the State University of Paraná UNESPAR/FAP in 2012. Since then, he has exhibited collectively in Berlin, Paris, New York, Madrid, Toronto, Curitiba, among other cities. In 2017/18 he was the curator of the exhibition Subli_me at The Wrong - New Digital Art Biennale in Curitiba. He integrated in 2018 the curatorship of the International Biennial of Art of Curitiba winning the Young Curators Award. In 2020 he presented Laniakea / The Wrong - New Digital Art Biennale in Curitiba. He is currently the guest curator of the International Biennial of Art of Curitiba.
Jeane Vitória, 23, is a visual artist who presents herself through her persona, Apofenica. Adept of digital art and dystopian themes, she is also involved with Glitch, Collage, and Net Art. She has participated in art exhibitions in the state of São Paulo such as the 27th MAJ (Sesc) and in The Wrong with the Homeostasis pavilion (CCSP). She also had her works selected for the project What Do We Do Now, 2019 in Casino Notabile, Mdina, Malta, and Fu:bar - Glitch Art Festival, 2019 in Akc Medika, Zagreb, Croatia.
Digital artist and art director living in Berlin, Germany. Since 2017 he has been part of exhibitions in art galleries, fairs, institutions, and festivals. Through digital sculpture, animation, video art, and augmented reality, Massan constructs narratives that work on the relationship of dependency between fictional existences and virtual environments, signifying representations of color, raciality, identity, and time.
Marciel Conrado is a graphic artist born in Curitiba, in 2004 he began his involvement with graffiti, in 2013 he graduated in Drawing at the School of Music and Fine Arts of Paraná, and between 2009 and 2015 he joined the design team of the Oscar Niemeyer Museum, developing identities of exhibitions and institutional programs.
He has illustrated books and literary publications, and exhibited at SESC da Esquina, Caixa Cultural and Museu Metropolitano de Arte. He continues producing paintings, drawings, serigraphs, ceramics, animations and graffiti.
Sabato Visconti is a Massachusetts-based photographer and digital artist. He began experimenting with glitch processes in 2011. Since when, his works use glitch to interrogate how image-making practices are absorbed by digital processes, hybridized media, online platforms, and artificial intelligence. His work seeks to capture the condition of the subject facing everyday environmental turbulence driven by systems designed to fail.
Antonio Wolff AKA photographer with authorial production and works in fashion, still, and advertising; starts in 2014 to experiment with 3D software, audio, video, and performance. In 2016 he presents his first work under the name UmloBoh at the Subtropikal festival in Curitiba, video performance works, projected on city buildings. Also in 2016, he presents "UmloBoh App Series" at the exhibition (over)laid curated by Tom Lisboa, at Galeria interARTividade, Curitiba. From 2017 to 2020 he experiments with performance and audio. In 2020 he returns to production with app, 3Ds, and audio, launching a new series: Immaterial Existence (NFTs).
