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Eduardo Navas started a conversation in 2012, with "The Remix Theory" where he explained the figure of the artist as curator-remixer: "The artist shares similar production activities that are comparable to the strategy of selection of a curator" this usually configures new relationships between the viewer, the maker, and the curator. After asking the curatorial team of Reforma 917 (Queen-Tangerine, Professor-Silence, and Capitán-Truenx) to dance with me through their ZOOM accounts in order to attend my party. By creating fictional identities and scenarios that allowed us to blur all kinds of frontiers: reality, physical and disciplinary. /ThequalityofthevideoisZoom'squality/

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