[São Paulo, 1992] is a writer, curator and editor based in São Paulo, Brazil. In his research he deals with enunciations and the other names that things demand today. Among the institutions he has worked with are CCSP, Videobrasil and Pro Helvetia, as well as galleries and consulting offices. His curatorial projects include PAREDAO [CCSP], Ontem Foi Um Dia Longo [MARP], O Grande Susto [ESPAÇO], Ruído e Ausência Contínuos [Sancovsky Gallery], A Imensa Preguiça [Sancovsky Gallery] among others. Teixeira is also editor of the periodical O TURVO.
Ana Matheus Abbade (São Gonçalo, b. 1996) is an artist, essayist and cultural articulator. In her work, words, substances, images and attitudes form a family of elements that reflect dimensions of experience in the transition of the carnal into language, process and event. Co-founder and cultural coordinator of Casa Chama, cultural association for redistribution and access to economic, corporal and intellectual dignity. Participated in the residencies Pivô - Arte e Pesquisa (SP, 2020), Temos Vagas - Ateliê 397 (SP, 2019), Residency Fundação Armando Álvares Penteado (SP, 2018), Jardim Suspenso da Babilônia (RJ, 2016) and Saracura (RJ, 2016). Honorable Mention at the III Reynaldo Roels Jr. Award, she has participated in international group exhibitions such as A Hora Instável, curated by Germano Dushá (Lisbon, 2019), Corpo Aberto - Um arquivo de Sentimentos, curated by Léa Meier and Valentina D'Avenia (Vevey, 2019) and the solo project Flying Fish, curated by Felipe Molitor and Dereck Marouço (Berlin, 2017).
Ilê Sartuzi is an artist graduated from the University of São Paulo (USP). Your research involves sculptural objects, mapped video projections, installations, and theatrical pieces addressing issues related to the idealized image of the body, often fragmented or built from different parts; but also the absence of this figure in proto-architectural and virtual spaces. He has participated in exhibitions in institutions such as Videobrasil (2021); Instituto Moreira Salles (2020); SESC (Ribeirão Preto, 2019; Distrito Federal, 2018); CCSP - Centro Cultural São Paulo (2018); MAC-USP Museu de Arte Contemporânea (2017); Museu de Arte de Ribeirão Preto (2017; 2015); Centro Universitário Maria Antônia (2019); Galeria Vermelho (2017; 2018, 2019).
Juno b (Fortaleza, 1982) is a multimedia artist, working with graphic design, art direction, and videomaking. In his work propose experimentations of forms and materials; thoughts and dialogues from non-hegemonic discourses and hypotheses of ways of being in the world. Participated in the artist residencies: Travessias Ocultas - Lastro em Campo (2017) / Bolivia and Matéria Gris (2017) -La Paz, Bolivia / Zona de Litígio (2020) -Ceará and Piauí / (2020). Currently collaborates in the projects: Itamar Assumpção Museum, LASTRO platform and is a resident artist in PIvô Pesquisa 2021 Program. Lives and works in São Paulo.
Born in São Paulo, Brazil. Lives and works in São Paulo, Brazil.
Graduated in Curatorial and Criticism from PUC-SP, she is currently dedicated to writing, producing soundscapes and authorial music. Interested in the gaps between subjectivities and perceptions of concrete realities, her research explores, through images created by sound and word, the suppression of distances between the ideas of self and others, in order to create intimate environments for these polarities to coexist.
Graduated in cinema, working mainly in the editing field. He is a guest professor at FAAP, where he teaches classes on the history of documentary filmmaking. He is currently doing a master's research at UNICAMP. He is turning 28.
Pedro Victor Brandão (Brazil, 1985) develops series of works through photographs, paintings, videos, and social experiments. His practices bring political landscapes into research in the fields of economics, cybernetics, and the legal limits of art. Pedro has participated in group shows at EAV Parque Lage, Centro Cultural Parque de España, Iberê Camargo Foundation, MAM-Rio, SESC, and Villa Medici, among other institutions. He has had solo shows at Casa França-Brasil, Portas Vilaseca Galeria, and Sé. He lives and works in Rio de Janeiro.
The artistic practice of Simon Fernandes (Fortaleza, 1982) explores different media, such as sound art, sculpture and computer language, articulating disjunctions and connections between space, materiality and consumption in the context of contemporary capitalism.
His works are part of the collections of the Ilmin Museum (Seoul, South Korea) and the Bienal de Cerveira (Cerveira, Portugal). Recent exhibitions include the group show Dear Amazon (Seoul, South Korea, 2019) and the solo shows Forever Parquelândia (Okinawa, Japan, 2019) While We Sleep, the City Scratches Us (São Paulo, Brazil, 2020), as well as participation in The Wrong Biennale (Web, 2020). He lives and works between Fortaleza and São Paulo.
